Found this via Dangerous Minds. I have little to add beyond advising you to clear out an hour to watch this Dutch documentary about the collection of people, practices and ideals that came together to form the punk band Crass. With a militantly anarchist outlook and a very DIY devotion to living what they screamed, Crass was one of the very few in art who lived their ideals 100%. A great hit of inspiration if you’re feeling like you’ve got no option but the treadmill you’re on.
A month or so ago, we gave you the heads up on Matt Kish, the artist behind One Drawing for Every Page of Moby Dick. He was kind enough to answer a few questions for us about how he came to this project and what goes through his head when he’s doing what he does. – – – What do you think of when you think of whales? It’s funny, I think this might be at odds with what most people think of. Even some of the people that have visited my site and looked at the art. I think a lot of people, when asked about whales, imagine this Greenpeace-y kind of gentle giant. A steward of the seas. Some vast, serene, gently floating creature singing songs in the azure deeps. For me, when I think of whales, I think of them as gigantic and incredibly cool monsters. I […]
click through for HD–recommended [Before I get into talking about Butoh, let me first just say that the above is a great example of how to make a single-camera document of a performance watchable afterward by people who weren’t there. Greta job, Rick. Everyone else, watch it full screen or not at all.] Butoh is an art with far more people saying its name than doing it well, the sort of thing that’s easy to get turned off of by the people who will excitedly tell you about it. Think Stan Brakhage or yoga or string theory or quinoa. I originally dismissed it all as another bit of the weird, modern East for performers to dig into for avant garde street cred. Well, actually that’s pretty accurate but really, that’s just the part you’ve got to get over to really dig into the meat of it and not taste the […]
Yeah, like that. Before I get into things, I just want to say that we here at TITLE continue to be awed and flattered that you people are actually reading this, subscribing to it and following us on Twitter. A big thanks to the friends we’ve made along the way, all the folks who dig what we do, and every little thing that makes the little stat bar creep up, thus giving us a handy numerical value for our self-worth. But on to some talk about what’s coming down the pipe… What’s in a name? Yeah, it’s weird that we’re called Title of Magazine and there’s no magazine. Got it. The aim always was to find something that managed to not only be a magazine but also not to be a time-sucking, cash destroyer, puking ads and compromises all over the pavement. A tricky thing, it turns out. But that’s […]
Matt Kish is redecorating the interior of the Melville classic Moby Dick. In August of 2009, I was really restless. I remembered seeing a book where the artist Zak Smith had made one illustration for every page of Thomas Pynchon’s novel Gravity’s Rainbow. I was really blown away by how amazing his art was, and by the whole idea in general, so a while later I decided to try the same thing myself. Only instead of Gravity’s Rainbow I decided to work on my favorite novel, Herman Melville’s Moby-Dick. Before this, most of the art I made had been excessively detailed, really overwrought, and incredibly time consuming to complete. I got really sick of working like that. I wanted something different, so I decided that for the Moby-Dick project I would do one piece a day, every day, until I was done. And I have a full time job too. […]
For whatever reason, I’ve been stuck thinking about massive statues of the human form lately. I think a great deal of the enduring appeal of colossal humanoid statues is some kind of innate human tendency toward idolatry. Somewhere in these crazy primate brains there’s a fixation on the idea of directly building a god. Is this how termites feel about building their mounds? Do honeybees approach their hives with the same fascination we feel when catching a glimpse of the 305 ft Statue of Liberty? Maybe if it was a functional structure… One of the most compelling visions of colossi as infrastructural elements would be the nearly unwatchable 1997 movie Batman & Robin. Waiting for the next scene to feature a sixteen story colossus holding up a winding highway overpass was all that kept me from walking out of that one. Odd that supervising art director Richard Holland doesn’t appear […]
Reminded of this project’s existence via Bruce Sterling Ideal nerd crack for a rainy Sunday: Processing Monsters. Various synthetic organisms programmed in the simplified language of Processing, complete with source code to be adapted, abused, tweaked.